Morality
and responsibility ... Let's be honest, art is known for both entertaining its
audience with violence as well as for moral education. While there's a long
tradition of showing war and battles in heroic light there is also another
tradition with artists like the painter Vasily Vereshchagin who aimed to show the horrors of war in order to promote peace.
At the same
time there's also law. For example, here in Germany those who describe violence as beautiful, romantic or otherwise
positive and/or harmless can be sentenced to financial penalty or even go to
prison for a year. Most countries in the world have similar laws. Being a
moderator of Fanfiktion.de (FF.de),
a German mass archive for fanfiction, prose and poetry, it's my task to lock
stories that violate the German law and the rules of the website, for example
by plagiarizing, downplaying rape or uploading pornographic texts. What's
interesting about this is that many immature "writers" who obviously
don't care about the rules or even the laws of the country they live in
consider it an insolent restriction of their freedom. They say we're just
power-mad and enjoy suppressing them, and our admin was even labelled as a
dictator. And no, it isn't a joke.
Art and Law
Even though
some of the rules of FF.de may be strict (for example the regulations for
character profiles) they all exist for a reason. I've rarely seen an internet
community that focuses on cooperation with its users as much as FF.de which is
one of the reasons why I'm still there after 11 years and even agreed to work
there as a moderator for free. However, what some users accuse our team of
indeed happens in the world: In many
countries artists are restricted in what they are allowed to say and what not.
Or rather: The restrictions are there in every country of the world,
because, as mentioned above, if you use your art to propagandize some harmful
crap you sooner or later will be arrested, no matter how liberal your
country might be. Different countries differ
only in what is defined as "harmful crap", and this always depends on
a country's culture, history, ideology and its current situation.
Defining
what is to be considered "harmful crap" often leads to discussions
and dilemmas. Apart from the "western world" loving to interfere in
national affairs of other countries unmindful of their cultural values (because
apparently everyone who doesn't share the "western values" is
considered archaic, uncivilized and less human in general) there are also
such general problems like: How much swearing, alcohol, sex etc. should be
allowed in art? Russia, for example, has banned swearing from movies. On the
one hand, I do understand why they did it and appreciate that they actually try
to somehow deal with the really serious problem of Russians swearing too much.
On the other hand, I also have to agree that swearing is an important part of
Russian culture and there are many things that can be expressed only through
swearing.
Art and Education
Laws may be
perceived as good or bad, but they're often linked to moral values. If violence
is considered bad by a society it will restrict its use in art, simply because education is one of its most important
functions. People always knew that art has an educating effect. Hundreds
and thousands of years before Christ people already used stories and paintings
to teach each other about what is right and what is wrong. Myths, legends, even
cave paintings ... They weren't created just like that. They were there to
teach the audience: Which gods to worship, what is necessary to be considered a
good person, or simply how to kill a mammoth. From its very beginning art has been closely tied to religion - and
religion is all about moral education. So let's lay all our excuses like
"It's just a story/movie/game/whatever!" or "It's just for
fun!" aside and accept that moral
education is one of the reasons - if not the main reason - why art even exists.
And so - yes - it does matter how you portray violence, women, sex,
interpersonal relationships etc. Art does
have an educational effect, whether the artist intends it or not. The
simplest proof to that is that art was and is successfully used for propaganda
by every regime so far, no matter whether it's a dictatorship, monarchy or
democracy. And yes, there are artists and even artistic epochs (modernism) out
there claiming not to try to educate the audience. Much as I appreciate such
art, I still believe that everyone who says such things simply lives in denial.
Art and Entertainment
However, if
art is about moral education - why is it often so brutal? It's funny, actually,
how another major fuction of art appears to be the direct antagonist of moral
education: That art isn't just about fun
doesn't mean it isn't about fun at all. On the contrary, art is very much about
fun, and without fun it wouldn't even get enough attention to fulfill its
function of moral education. So in the end art actually needs what
it tries to educate against.
This
paradox raises the question: Why are such things as violence even entertaining
in the first place? Becaese entertaining it is. It used to entertain the
ancient Romans in form of gladiator fights and it still entertains us in form
of carefully choreographed fighting scenes. The fact that it usually isn't part of our everyday life makes violence
a visual adventure, it draws us away from our daily worries, and sometimes it
comforts us with power fantasies and thus is even able to give us the
optimistic feeling that we can deal with our own problems just like the hero
was able to deal with the villain. This is why in art violence has an absolutely necessary psychological function.
Holding the Balance
With every society trying to protect its
members against what is considered dangerous, with the educational function and
with the need to be entertaining creating art seems like a balancing act. You always need to be cautious of
the restrictions imposed on you, whether you accept them or not. Or you can
choose (and sometimes even have) to violate the rules and laws, but in this
case you should be prepared to bear with the consequences. In some cases you
can still argue with the government and society, so the rules and laws can be
changed. Every aspect about art is
important, even if some of them are in conflict with each other. Yet this
is one of the reasons why art is so fascinating, isn't it?
This was,
of course, only a very superficial dive into this topic and I have some ideas
for essays in which I would go deeper in certain aspects, but I'd still like to
know your opinion: Do you agree that artists have responsibility towards
society that restricts their artistic freedom? Or should the restrictions
imposed by society be banned? Do you feel free as an artist or do you wish you
could do something society wouldn't appreciate? Do you try to educate your
audience or do you prefer not to care about the educational effect of your art?
Or do you generally disagree with me and believe that art can be without an educational
effect? How do you decide whether violence, sex or another difficult topic was
handled responsibly or not in an artwork?
I'd really
love to know what you think!
Feael Silmarien
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